Babelgum Film
2,200 °F (Jesse Epstein)
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03:25
Wait for Me (Ross Kauffman)
“Wait for me. Wait for me and I will return.” Thus begins an extraordinary film that began a few years ago when a friend of filmmaker Ross Kaufmann casually mentioned in conversation the disappearance of a brother several decades years earlier. Kaufmann became intrigued with the 'Into Thin Air'-style story of John, a young man who set off on a bicycle trip through Europe and eventually to India to find himself - and was never heard from again. Alternating between John’s loving mother describing her son and his journey, her voiceover as she reads aloud from his letters to her during his trip, and home movies of John, first as a child with an adorable smile and later as a young man, Kaufmann depicts a life’s search for meaning. With heartbreaking sensitivity, he allows John’s mother to tell the story that only a mother could tell, and to explain how, 22 years later, she has followed her son’s written plea to continue to wait for him.
03:04
Ageless Sex (Marc Silver)
Although overtly 'about sex', the film is really about what individual freedom means. Initially inspired by a video art installation, the piece reveals the complexities of pornography, old age and individual choices.
03:15
Love In The Streets (Jerry Rothwell)
Our collective imagination of homelessness is shaped by the idea of someone who is single and lonely. Roy and Morag explode that myth and take in companionship, humor and love, alongside the dirt, noise and damp of London’s pavements –a warm look at the chill of a (love) life lived on the outside.
03:26
Swing State (Cameron Hickey)
Tuesday mornings are reserved exclusively for women golfers at the Llanerch Country Club in the Main Line section of suburban Philadelphia - a key region in this swing state for the 2008 election. Mary Pat McClatchey and her friends golf every Tuesday morning at 8am before having lunch at the clubhouse, an event which you can "hear all across the club" says fellow Llanerch club member Thomas Feeney. We'll follow Pat and her golf foresome through eighteen holes of golf and their ladies' lunch afterward. We'll ask them how "historic" they feel this election is, how they and their respective families feel about the candidates this year, and what this means for their children's future. As a critical swing area in a critical swing state, the Main Line is part of the broad center in American politics, and these women are at the heart of this pivotal battleground.
03:16
Animals in Showbiz (Jeremy Redleaf)
Watch Petal the Dog, Amelia the Monkey, & Lulu the Collie pound the Hollywood pavement in search of their big break and the biscuit that comes with it. Explore the wacky world of showbiz pets and the colorful people helping them reach for the stars.
03:37
The View from Madison Street (Steve James)
African-Americans from this largely forgotten stretch of inner-city Chicago speak out about race, class and how neither of the then-presidential candidates, John McCain and Barack Obama, was addressing the issues of poverty that plague their community.
03:07
The Work's the Thing (Abigail Norris & Jerry Rothwell)
A short film about the art and working methods of Paul Housley. Born in Stalybridge, Greater Manchester, in 1964, Paul studied at the Royal College of Art. He has an interest in observing the everyday and a penchant for humble mass-produced objects. Like a number of other young UK artists, Paul is returning to figurative painting, at a time when video, photography, installation and new media have attracted increased attention as art forms. Since the popularity of the young British artists, the rise of 'Brit Art' and the controversy of the Turner Prize, painting has taken a back seat. Damien Hirst was famously quoted as saying that painting was dead. Housley, however works with traditional materials, proving that painting is alive and has an energy and power of its own in today’s art world. His paintings play with our notions of taste, finding novelty in cliché and lyricism in mundane, blank objects like sports bags and light bulbs.
03:18
The R.O.M.E.O.S (Katy Chevigny)
The ROMEOS is a short documentary film about long relationships - good conversation amongst old friends. And we're talking old friends. The ROMEOs is an informal club of 5 old time New Yorkers, men aged 72-87, who have met every week for the past 20 years at the Metro Diner in New York City. It is a long lunch to talk about anything and everything; telling old jokes, making fun of each other, complaining about politics. Naturally they have nicknames: Mr. Indignant (his capacity for outrage knows no bounds), Mr. Google (this guy knows everything, you won't believe it), and The Token Goy. They are retired lawyers, writers and left-wing troublemakers and they are utterly hilarious without even trying.
03:16
Paints On Ceiling (Jeremiah Zagar)
Sometimes, an entire lifetime is decided in a moment. At least it was for Isaiah Zagar, whose mother’s scream when he was three set him on the road to becoming an artist. In this striking, dream-like film, his son, Jeremiah reenacts the incident when his father had his epiphany: Letting his crayon stray outside the lines in the coloring book, to the formica kitchen table, then the floor, up the refrigerator and finally scrambling to the top of that appliance in order to color on the ceiling. When his mother walked in and saw her son teetering on the edge, her terrified cry convinced him that his destiny was to evoke similar reactions from others to his art. Now a famous Philadelphia mosaic and mural artist, Isaiah Zagar’s exploration of this moment offers extraordinary insight into the mind of a fascinating and complex man, the subject of his son’s first full-length documentary that won the Emerging Visions Award at its debut at the 2008 South by Southwest film festival.
03:27
Paradise Regained (Steve James)
He was the painter who brought paradise to the infamous Chicago housing projects, miles of urban housing rife with violence, gangs and crime until they were finally torn down. With Reed's wall-filling murals, residents transformed their living rooms into oases from the ghetto storms outside. Through description and animation, Reed depicts a world that is thankfully gone yet brought alive again by ex-residents who will seek his views of paradise.
 

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