Babelgum Film
Radar Thirty-Two: FCKD Magazine
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03:42
Pixacao
Covering buildings throughout São Paulo, pixação is a style of graffiti native to Brazil and known for its simple, angular lines. In this episode of Cool Hunting Video, we tour the city streets with Joao Wainer, photographer and co-director of a documentary on the subject, who fills us in on the culture and history.
02:55
Bomb It: Nishiba
Japanese graffiti artists 'Nishiba' discuss their origins as street artists and the influence of Japanese culture and language on their art.

For more Bomb It videos, visit the Bomb It superpage
03:01
Bomb It: REVOK
The Creation of REVOK.

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06:14
Bomb It: Behind the Scenes
Behind the scenes of the explosive street art documentary. To watch more Bomb It videos - and the feature-length documentary - visit the Bomb It page.
04:17
Bomb It: Nunca
Street artist Nunca paints a huge Indian in broad daylight in São Paulo and talks about cultural cannibalism. To find out more, visit the Bomb It page.
01:33:45
Bomb It - The Movie
Featuring street artists and top graffiti writers from five continents, Bomb It - The Movie updates the story of graffiti with a truly international perspective.

To find out more, visit the Bomb It superpage

01:58
Bomb It: Kenor and Kode Time Lapse
Kenor and Kode making graffiti in Barcelona.

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02:07
Bomb It: Part 1 - Philadelphia
A city-by-city breakdown of the history of graffiti and street art.

For more Bomb It videos, visit the Bomb It superpage
05:28
Bomb It: Part 8 - Cape Town
A city-by-city breakdown of the history of graffiti and street art.

For more Bomb It videos, visit the Bomb It superpage
04:45
Radar Twenty-One: Tape & Mirrors
When artist Aakash Nihalani moved from the suburbs to NYC he was compelled by its symmetry. As an organic response he started laying down tape on the streets and on buildings, creating brightly colored sticker tape boxes framing aspects of the city he wanted to show people, creating tableaus from real life. Both uncomfortable at potentially defacing property by using permanent materials, and enraged at the continued treatment of public artists as vandals, we join him as he brings 3D to his work for the first time, via use of mirrors and passers-by, and discuss why impermanence is important to the acceptance of street art.
 

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