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PORN = ART (NSFW)
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PORN = ART (NSFW)

[ 06:28 ]
Artist Jonathan Yeo talks about his porn collage pictures with reference to some of his famous subjects including George Bush, Paris Hilton, Cliff Richard and Hugh Hefner. Part One of Two. Warning: Contains pornographic images.

Catch Jonathan Yeo's 'Porn in the USA' exhibition at LA's Lazarides Gallery until August 8 2010. Features new portraits including Tiger Woods and Sarah Palin. Find out more about the Lazarides Gallery at babelgum.com/outsiders.
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06:17
PORN = ART, Part 2 (NSFW)
Artist Jonathan Yeo tells us what pornography makes the best medium to work with. We visit a Soho sex shop to find out what goes into creating his collages of subjects including George Bush, Paris Hilton and Hugh Hefner. Warning: Contains pornographic images.

Catch Jonathan Yeo's 'Porn in the USA' exhibition at LA's Lazarides Gallery until August 8 2010. Features new portraits including Tiger Woods and Sarah Palin. Find out more about the Lazarides Gallery at babelgum.com/outsiders.
03:15
New Urbanism: ep 4 - Subway Opera
Imagine a graffiti-ridden deserted place suddenly turned into hub of music! Raumlabor Berlin transforms the Eichbaum subway station into an opera house. For all other episodes, interesting links, and more info, check out Babelgum's New Urbanism
01:52
Making a collage - MAY I ?
Making of the "May I ?" Collage (short version) by Iuri Kothe - Magazines: National Geographic jan/10 & dec/09 - Music: autechre - rotar cat: zumi - software: gawker & imovie09 2010 / 01 / 23 See the collage (high quality scan) on flickr: http://www.flickr.com/photos/iurikothe/4301030442/ - Artist's website: http://www.iuri.art.br
07:03
RJ in Zambia with Swoon, Matt Small and Mike Snelle
Recently Swoon, Matt Small, Mike Snelle from Black Rat Press and RJ traveled to Zambia to work with students at the Robert Shitima School. With the help of the charity Zamcog, they were able to give art workshops on activities such as printmaking with lino-blocks, portrait painting, and collage to 200+ students.
For more videos from the RJ's Street Art London series, visit babelgum.com/rj
26:23
theEYE: Howard Hodgkin
Howard Hodgkin is one of the world's leading painters, whose art is admired both by critics and by a wide public. Beginning with a remembered experience, Hodgkin works on his seductive and complex paintings for long periods, characteristically producing richly coloured, sweeping compositions, which continue into the picture-frame itself. These paintings uniquely straddle representation and abstraction, at the same time as they demonstrate both an awareness of history and an understanding of art's potential today. Most recently, his interest in working in different scales, evident particularly in significantly larger paintings such as Americana and After Vuillard, demonstrates his concern to engage the viewer in new and challenging ways. In this interview, illustrated with many key paintings, Howard Hodgkin speaks with warmth and passion about how his methods, about his influences, about colour and composition, and about the fundamental importance of painting. "You need things to look at," he says simply, "things to affect your feelings, and your intelligence, and your heart."
26:22
theEYE: Gillian Ayres
Gillian Ayres studied at Camberwell School of Art from 1946-50, before running the AIA Gallery with painter Henry Mundy whom she married. As a young artist in the 1950's, Ayres was closely involved with leading British abstract artists including Roger Hilton. Ayres was quick to respond to European tachism and American abstract expressionism, creating a body of work that placed her in the forefront of her generation. In the sixties she was the only woman artist to be represented in the important 'Situation' exhibitions, showing large paintings combining oil and paint that aimed for the sublime using very radial drip and pour techniques of action painting. Gillian Ayres defined her career by ranges of style and manner. In the sixties she created glamorous and decorative images in keeping with the hedonistic mood of that time. In the seventies Hans Hofmann inspired Ayres and returned back to an extreme and painterly extraction. Later in that decade Ayres moved back to oil painting and went on to develop her exclusive colourful style and has made an impressive mark on British art.
25:47
theEYE: Gary Hume
Gary Hume makes beautiful paintings. His materials are household paints on aluminium surfaces and his subject's, he says, are "flora, fauna and portraits". The results are elegant, delicate, simple yet elusive and exquisite. Playing gloriously with colour and light, they are paintings of subtle tones, idiosyncratic clashes and insistent reflections.Interviewed in his studio, Gary Hume reflects on his work from the 1980s, when his Doors series won instant acclaim, to his latest creations. As so often, his new work balances recognisable images with abstraction. His people, like Kate (1996) and Michael (2001), are contemporary icons conjured up from bold shapes and strong planes of colour.Illustrated in this profile are many of Gary Hume's most notable paintings, specially filmed in exhibitions in London and Dublin, and in a major 2004 show in Bregenz, Austria. Also featured are the artist's rarely-seen drawings and, in contrasting settings, his deadpan sculpture Snowman (1997).
26:15
theEYE: Lisa Milroy
Lisa Milroy’s paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist. Speaking about the development of her art from the early 1980s onwards, Lisa Milroy discusses how she uses the sensual and descriptive power of paint to express her unique ways of looking at the world. She reflects on the changes in her work; on the impact of Japan and its culture; on photography and time; and on the craft and process of painting.
33:17
theEYE: Malcolm Morley
Malcolm Morley is one of the most significant and influential painters working today. Born in England but active in the United States since the late 1950s, Morley has developed an intensely individual vision embracing, but never determined by, autobiography, politics, psychoanalysis, myth, the visual culture of his time and the limitless potential of paint. Filmed as Morley works in his distinctive manner on a spectacular new canvas, this documentary features the artist's provocative reflections on his life, painting technique, influences and concerns. It also illustrates a wide range of his paintings from the earliest abstract works, through the painstakingly precise depictions of reproductions (on postcards, from travel brochures) of ships, contemporary scenes and Old Masters, to the catastrophe pictures of the 1970s. Paintings engaging with ancient cultures followed, and then works based on the cardboard cut-out aeroplane and boat kits which Morley has made since his youth. Most recently, he has returned to paintings of news photographs, exploring a striking and challenging new range of imagery.
04:01
Radar Thirty-Two: FCKD Magazine
Ryan Watkins-Hughes, founder of the FCKD Mag project, is a deconstructionist through and through. In this latest project, Ryan is making a social commentary on advertisements by purchasing the flashiest, advert filled magazines and altering the covers as well as the ads inside of the magazine. By adding his artwork to the already printed magazine Ryan is replacing the “junk food for the brain” with his own work. Once he hacks the magazines he then “shopdrops” them back on the shelf, to be picked up by an unsuspecting consumer.
 

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