Babelgum Film
Radar Fourteen: Honey, I Shrunk Red Hook
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04:30
Radar Sixteen: Missed Connections
Illustrator Sophie Blackall has read thousands of missed connections posts. A self confessed addict of these intimate, fleeting moments described in haste and posted in public, she trawls through them daily to find the most visual, humorous, lyrical or wierd confessions or pleas, before creating a similarly spontaneous illustration she then posts to her blog. We talk to Sophie about the significance of shared moments between strangers, and create the moments that might have been.
03:24
Radar Thirteen - Undetermined Measurements
Ten people dressed in stark white "clean suits" and masks disperse amongst picnickers, inspecting the ground in sunny Central Park. Heads turn, unsure, and people start asking questions. Undetermined Measurements is an ongoing performance and documentation project. During each phase of the interventionist series volunteers gather, dress in protective clothes and silently engage with the audience in a non-confrontational manner. Why are they there? The question is left open ended, expressing the ever-changing perception that the United States has transformed from a unique symbol of freedom to a more fragile and fearful representation of uncertainty. We follow Sean Hovendick and his team as he takes Undetermined Measurements to NYC for the first time.
04:00
Radar Fifteen: Art Battles
Sean Bono set up Art Battles as a way to correct a system he saw flawed. With artist friends getting arrested for graffiti, others loosing their individuality in mundane graphic design jobs, and more laboring unrecognized in galleries, he started painting battles in his canvas-lined apartment as a way out. Since then his unique take on live art has grown leaps and bounds with Art Battles now offering competitors a compelling way to get seen, sell their work & win residences at galleries. We follow Lexi Bella & Leif McIlwaine as they prepare for battle.
02:30
London Street Art Spots: Buxton and Hanbury Street
RJ finds some great street art on a side-street near Truman Brewery. Work by Irish artist Asbestos, Word to Mother and Mysterious Al.
For more videos from the RJ's Street Art London series, visit babelgum.com/rj

01:12
Pixelator - M.A.P. RUNNER UP
Runner Up in the Street Art Award category of the Metropolis Art Prize 2009.

Pixelator is an unauthorized ongoing video art performance collaboration with the New York City Metropolitan Transit Authority, Clear Channel Communications, and its selected artists. Since 2003, the MTA has made available for exhibition purposes 80 LED screens located at subway entrances across New York City. Unfortunately, the high cost of exhibiting (an estimated $274,000 per month per screen) prevents most artists from having access to these facilities. While the MTA's effort to create more opportunities for video art exhibition in public spaces is to be commended, selected works remain wholly fixated on commercial goods and media conglomerate events, a short-sighted curatorial choice that regrettably ignores the full potential of these promising exhibition spaces. In an attempt to broaden the scope of MTA's video art series, Pixelator takes video pieces currently on display and diffuses them into a pleasant array of 45 blinking, color-changing squares. Since the project is an anonymous collaboration, the resulting video is almost entirely unplanned and unanticipated, with the original artists helping to create new works of art without any knowledge of their participation. (Translation: Pixelator turns those ugly, blinding video billboard ads into art.)

Artist: Jason Eppink.

To find out more, visit the Art Prize page
04:45
Radar Twenty-One: Tape & Mirrors
When artist Aakash Nihalani moved from the suburbs to NYC he was compelled by its symmetry. As an organic response he started laying down tape on the streets and on buildings, creating brightly colored sticker tape boxes framing aspects of the city he wanted to show people, creating tableaus from real life. Both uncomfortable at potentially defacing property by using permanent materials, and enraged at the continued treatment of public artists as vandals, we join him as he brings 3D to his work for the first time, via use of mirrors and passers-by, and discuss why impermanence is important to the acceptance of street art.
04:04
Radar Twenty-Five: Subway Etiquette
Jay Shells is the man behind Subway Etiquette, a new project that uses silk screen signs, which look identical to official transit signs, to speak not just to New Yorkers but all commuters, asking for a simple thing: Respect. Jay’s signs request that the reader does not do things like eat messy foods, preach their own religious beliefs or cut their toenails while riding the subway. What seems to be common sense is actually happening at every turn - bothering everyone around them. However our own concern with politeness keeps us from speaking up. We follow Jay from his silk screening studio in The New School, through the stairwells and tunnels of the New York Subway System, posting signs that hopefully remind us all to be a little more courteous.
04:01
Radar Four - Universal Record Database
What do 'Most money destroyed for profit', the 'Longest shhh' and 'Most flaxseed cracker people created in one minute' have in common? They are all records held on Dan Rollman and Corey Henderson’s Universal Record Database, otherwise known as the 'definitive site for human achievement'. The founders take us through the thinking behind their project, while Zoomdoggle's Jake Bronstein waxes lyrical on the joy of inventing new categories, Emmy award winning writer/director Todd Lamb explains his obsession with fish sandwiches and photographer Emily Wilson breaks a new record live.
25:45
theEYE: Mona Hatoum
The artist Mona Hatoum came to London from Lebanon in 1975. Working initially with performance and video, and in the 1990s with sculpture and installations, she has exhibited widely around the world. In the summer of 2000 Mona Hatoum presented three major new works which marked the inauguration of Tate Britain, London.These works, exhibited under the title The Entire World as a Foreign Land, developed Hatoum's interest in the relationship between individual identity and the notion of a broader cultural and geographic identity, or sense of 'belonging'. In this interview, illustrated with these works and with other key installations including Socle du Monde and Corps étranger, Mona Hatoum explores the diverse sources of her work and her engagement with a wide range of often surprising materials. The artist talks vividly about the centrality of the body to her installations, and the ways in which her work employs changes of scale, intimations of restriction and constraint, and contradictory ideas of attraction and repulsion.
04:29
Radar - BambiFairy
Bambi Killers perform their live act Green Fairy at Fontanas in NYC, May 2009. To see more Bambi Killers, watch Radar Episode 12.
 

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