RADAR

03:53
/ Radar Twenty-Eight: Before I Die
03:53
Radar Twenty-Eight: Before I Die
Before I Die is a rare form of Interactive Art, started by K.S. Rives and Nicole Kenney, creating life, out of death.  Using a Polaroid camera, Rives and Kenney have traveled far and wide asking people what they would like to do before they die, and snapping their photo as they answer. Rives and Kenny found that asking an age-old question inspired people to reach for a goal they set from themselves. The project soon moved online enabling people from all around the globe to take their own photo, post it and share what they wanted to do before they die.

Watch more episodes at babelgum.com/radar
true
04:52
/ Radar Twenty-Seven: Auto-Tune The News
04:52
Radar Twenty-Seven: Auto-Tune The News
Started by Michael, Evan, Andrew and Sarah Gregory, Auto-Tune the News takes video clips of Politicians, Pundits, and Newscasters. The dialog of the clips is then Auto-Tuned transforming spoken word into singing. The goal of the project, is to not only add some humor to these normally dry, antiseptic broadcasts, but to make the information delivered fun and understandable to a younger generation, dare we call them, the Auto-Tune generation. In a time when technology can be manipulated to make the impossible a reality, as well as becoming an industry main-stay, this new form of audio filtering can make the worst of singers stay in key, but it can even make CNN fun.

Watch more episodes at babelgum.com/radar
true
03:09
/ Radar Twenty-Six: Hidden Oras 
03:09
Radar Twenty-Six: Hidden Oras 
Hidden Oras began as a live drawing project within various music clubs in Japan before moving to NYC. Shantell Martin an artist and VeeJay armed with her projector, and trusty digital drawing tablet, turns members of the audience into living art. When an audience member steps up against the projector wall Shantell creates a unique and original drawing that engulfs them. Fusing technology and art at every turn, Hidden Oras is just the first step of many towards the next wave of Live Art.

Watch more episodes at babelgum.com/radar
true
04:04
/ Radar Twenty-Five: Subway Etiquette
04:04
Radar Twenty-Five: Subway Etiquette
Jay Shells is the man behind Subway Etiquette, a new project that uses silk screen signs, which look identical to official transit signs, to speak not just to New Yorkers but all commuters, asking for a simple thing: Respect. Jay’s signs request that the reader does not do things like eat messy foods, preach their own religious beliefs or cut their toenails while riding the subway. What seems to be common sense is actually happening at every turn - bothering everyone around them. However our own concern with politeness keeps us from speaking up. We follow Jay from his silk screening studio in The New School, through the stairwells and tunnels of the New York Subway System, posting signs that hopefully remind us all to be a little more courteous.

Watch more episodes at babelgum.com/radar
true
04:32
/ Radar Twenty-Four: From the Desk of Sarah Seely
04:32
Radar Twenty-Four: From the Desk of Sarah Seely
From the Desk of Sarah Seely is a company of professional dancers, actors and artists all of whom work 9-5 desk jobs assisting executives. Rehearsals and performance opportunities are scheduled and created around this. The company's work is a blend of theater and dance, a celebration of present-day concerns and campy vintage aesthetics, topped off with the frustration of being artists in day jobs. We join the troupe as they rehearse the performance 'How to Disappear Completely' and take their post-apocalyptic vignettes to the street and the office. Sarah argues that a 9-5 desk job is like being a subsidized artist. Rather than identifying as an Executive Assistant or Personal Aide, the annual income, 401k and health insurance can actually make it easier to focus on what you do for artistic reasons.
true
04:47
/ Radar Twenty-Three: Patently Silly
04:47
Radar Twenty-Three: Patently Silly
Everyone has at one point had a ridiculous idea that they thought would make them millions. Some of those people went on to patent those ridiculous ideas. Some of them got made, some of them changed history, and some of them remain forgotten documents. These patents make up the content of Patently Silly, a website, book and animation series. We talk to Daniel Wright about the humor in invention like ‘Delivery of Caffeine Through An Inhalation Route’, ‘Retractable Table Top For Toilet’, ‘Voice Communication Concerning a Local Entity’, track down the inventor of the ‘Portable Electrical Mouse Trap’ and learn from lawyers about how public domain content can be used to explore different creative formats and ideas.
true
04:22
/ Radar Twenty-Two: Red Light Properties
04:22
Radar Twenty-Two: Red Light Properties
Originally trained as a filmmaker, graphic novelist and writer Dan Goldman has developed a unique approach to his work process, something that he's taken to new lengths in the creation of the online graphic novel series Red Light Properties, a tropical horror set in the post-mortgage-crash real estate landscape of Miami. While creating the fictional world for his real estate agent / exorcist protagonists Jude and Ceclia, Dan drew on both original video and photo imagery to aid his hyperrealistic digital illustration, and built virtual 3D sets in which to work, allowing him to both easily revise and immerse himself. Red Light Properties is being serialized for free on Tor.com and is also available via a mobile app. We speak with Dan on the eve of him finishing the first volume, as he moves out of NYC to work remotely from South America.
true
04:45
/ Radar Twenty-One: Tape & Mirrors
04:45
Radar Twenty-One: Tape & Mirrors
When artist Aakash Nihalani moved from the suburbs to NYC he was compelled by its symmetry. As an organic response he started laying down tape on the streets and on buildings, creating brightly colored sticker tape boxes framing aspects of the city he wanted to show people, creating tableaus from real life. Both uncomfortable at potentially defacing property by using permanent materials, and enraged at the continued treatment of public artists as vandals, we join him as he brings 3D to his work for the first time, via use of mirrors and passers-by, and discuss why impermanence is important to the acceptance of street art.
true
03:48
/ Radar Twenty: Poetry Brothel
03:48
Believing that Poets undervalue themselves in the creative marketplace, The Madame, and right-hand man Tennessee Pink, set up the Poetry Brothel in order to confirm in writers the literal monetary value of their work, and also to present Poetry in its more natural form - intimate and sensual over the more standard formal and jilted reading. The collective is made up of 'Poetry Whores' who ply their trade at specially arranged events, dressed in turn of the century dress, in character. The creation of character, as both disguise and freeing device enables the Poetry Brothel to be a place of uninhibited creative expression, where both whore and John can be themselves in private.
Radar Twenty: Poetry Brothel
Believing that Poets undervalue themselves in the creative marketplace, The Madame, and right-hand man Tennessee Pink, set up the Poetry Brothel in order to confirm in writers the literal monetary value of their work, and also to present Poetry in its more natural form - intimate and sensual over the more standard formal and jilted reading. The collective is made up of 'Poetry Whores' who ply their trade at specially arranged events, dressed in turn of the century dress, in character. The creation of character, as both disguise and freeing device enables the Poetry Brothel to be a place of uninhibited creative expression, where both whore and John can be themselves in private.
true
04:05
/ Radar Nineteen: Makerbot
04:05
The sign on the door reads MakerBot industries. Inside, boxes line the floors and there is a flurry of activity. A light humming sound fills the air. Machines buzz as they print physical objects that merely minutes before were 3D renderings on a computer screen. This is Bre Pattis’ ‘Botcave’ and within its walls resides a startup that intends to change the face of printing. The MakerBot is a box-like unit that prints using thin plastic, which it lays down layer by layer. Eyeglass frames, wall brackets, tweezers, action figures even a 3D rendering of Walt Disney’s head are all possible. Makerbot came out of NYC Resistor, a hackers collective offering shared knowledge and camaraderie. And out of Makerbot, the hopes are to create a revolution in crowd-sourced manufacturing.
Radar Nineteen: Makerbot
The sign on the door reads MakerBot industries. Inside, boxes line the floors and there is a flurry of activity. A light humming sound fills the air. Machines buzz as they print physical objects that merely minutes before were 3D renderings on a computer screen. This is Bre Pattis’ ‘Botcave’ and within its walls resides a startup that intends to change the face of printing. The MakerBot is a box-like unit that prints using thin plastic, which it lays down layer by layer. Eyeglass frames, wall brackets, tweezers, action figures even a 3D rendering of Walt Disney’s head are all possible. Makerbot came out of NYC Resistor, a hackers collective offering shared knowledge and camaraderie. And out of Makerbot, the hopes are to create a revolution in crowd-sourced manufacturing.
true
     
Shuffle:

Now Playing: Radar Season III

RADAR 28: Before I Die
RADAR 27:
Auto-Tune News
RADAR 26: Hidden Oras
RADAR 25: Subway Etiquette

 RADAR Season II - Episodes 13-24

RADAR Season I - Episodes 1-12

RADAR 12: Bambi Killers
RADAR 11: Color Me Katie
RADAR 10: Newmindspace
RADAR 09: Matt Held Facebook Portraits
RADAR 08: Dr. Sketchys
RADAR 07: Eclectic Method
RADAR 06: Cut & Paste
RADAR 05: SLAM Theater
RADAR 04: Universal Record Database
RADAR 03: Cassettes from my Ex
RADAR 02: I Eat Pandas
RADAR 01: Next Door Neighbor  

Produced by WBP LABS

WBP LABS utilizes the WBP (WorkBook Project) community by providing the experiences, content and delivery the network strives for, and pulling talent from its pool to make it happen. WBP LABS also has a strong focus on research, data collection and analysis that surrounds these original projects, monitoring audience reaction in order to further inform highly relevant breakthrough work, and return the information to the community itself. WBP LABS is a divison of the WorkBook Project.

WorkBook Project

The WorkBook Project (WBP) is for those who want to be creative in the digital age. The WBP, through its website, R&D projects such as festival From Here to Awesome and roving conference DIY Days, provides insight into the process of funding, creating, distributing and sustaining as a creator of media (film, games, music, design, software). Focused on innovation, new trends, cutting edge projects and an open approach to a once closed industry.

... (more)
 

RADAR

RADAR is a series of 3 minute episodes that highlight innovative projects and events across different creative disciplines, hangs with creators and founders, and digs deep into process, method and participation. From what it is means to ideate on the fly with musical improv duo I Eat Pandas, to the curation of confessional storytelling in Cassette From My Ex and the importance of community in the Next- Door Neighbor all-star webcomix project, RADAR provides a cultural compass for audiences, in order to both inform and inspire.

RADAR on Facebook
 

Interview with Alex Johnson 

 FNB Innovators - Alex Johnson

 RADAR: Interesting Links

Lance Weiler named in The 21 Brave Thinkers of Truly Free Film 2009 - Ted Hope's Blog

RADAR Bows Second Season on Babelgum, Keeps Putting Artist First - Tubelifter

Daily Dose Pick: RADAR - Flavorwire

Underground Art Pops Up on the "Radar" - CBS News

Approaching art in an innovative and refreshing way - WWD 

www.flickr.com
WBP Labs' items Go to WBP Labs' photostream